artnlight

Today is reasonless, just-for-kicks, eyecandy day. And the theme is Lotus. Here is a collection of all things lotus, from fabric to jewellery, to vessels to lamps.

From Blue tree art gallery

Prints on fabric

From the Amy Butler lotus design collection

From Viya home

From Viya Home

From Flickr

From Dhoop

From Dhoop

And these lamps will be show stealers in any space

Do click on the image to see a larger version and check his beautiful collection here.

And this is her book that you can actually buy & own :)

"...Life makes sense when we are centered in our hearts and we let go of resisting the way our unique journey needs to unfold in its own beautifully UNRULY way." Oh man, this woman gives me hope.

I like :)

This is where you can buy the book. You can read her blog here, and check her shop here.

History, is priceless. It gives us people whom we have no way of knowing, its shows us their lives as examples, as inspiration. And if you need comfort from people who have been there done it, it gives you that in all glorious detail. One of histories many gifts is William Morris, who is very close to my heart as he was an artist with many definitions and therefore bound by none. His art went where his passions went and he was an architect, furniture & textile designer, poet and socialist. I have often wondered, envied and looked wistfully at people who found that one passion and all their life went into honing that into perfection. But William Morris is someone who lived a life where there was space and scope to go and develop all the different things he wanted to do. He just did what he wanted :)

"For several years after his marriage Morris was absorbed in two intimately connected occupations: 1, the building and decoration of a house for himself and Jane, and 2, the foundation of a firm of decorators who were also artists, with the view of reinstating decoration, down to its smallest details, as one of the fine arts.

Morris was producing repeating patterns for wallpaper as early as 1862, and some six years later he designed his first pattern specifically for fabric printing. As in so many other areas that interested him, Morris chose to work with the ancient technique of hand woodblock printing in preference to the roller printing which had almost completely replaced it for commercial uses. By 1883, Morris wrote "Almost all the designs we use for surface decoration, wallpapers, textiles, and the like, I design myself. I have had to learn the theory and to some extent the practice of weaving, dyeing and textile printing: all of which I must admit has given me and still gives me a great deal of enjoyment."

The Rubaiyat of Omar Kayam, text and decoration by Morris with illustrations by Burne-Jones, 1870s