Wednesday, March 13, 2013

MahaKumbh - Part 2, NagaBabas.

I have not wanted to make any post more than this one, but things have kept cropping up, keeping me busy and this has felt like nothing less than an obstacle race. But I also realise that the various interactions I have had with my closest people have shaped this post to be the way it is and each conversation has given me more clarity on my own perspective about the powerful and magical and yet very real Mahakumbh 2013. This is day 2 and the BIG DAY, it is Basant Panchami and the day of the Shahi Snan or Royal bath of the sages and Sadhus and famed Naga Babas who come down from their mountainous retreats to the plains and are visible to the common man. We are all up at 4am and have hit the road with our camera's at 4.30 am and the streets are already full with the marching people who have come in from all parts of India to take a dip in the confluence of rivers on this auspicious day. If we saw people yesterday, today was when the crowds really came pouring in, from everywhere. It felt as if all of India's pious was there to mark its attendance.
 
As large groups of orange flag weilding devouts and Sadhu's march in with their processions, we were waiting poised and ready and in position for the Naga Baba's. But before we speak of the Naga Baba's it is very important to mention the god they follow, the ash smeared and tiger skin wearing omniscient yogi, Lord Shiva is the only ascetic God who wears snakes for ornaments, the crescent moon and the mystical and powerful river Ganga in his hair and once drank poison so he could save the world. The third part of the trinity, Shiva represents the dark night, destruction, death and detachment and is the very picture of formidable fierceness. And paradoxically he is also the ideal family man and the master of Cosmic dance. And the Naga Baba's are his worshippers. They wear only their dreadlocks, marigolds and are ash covered and live in the Himalayan mountain ranges in seclusion and penance. The Aghori sect claims to keep company with ghosts, or live in cemeteries as part of their holy path. Known for their fierceness and even aggression, they live such a life of renunciation that even basic necessities such as food and clothing are dispensed with as part of their spiritual process.
I had seen pictures of Naga baba's through time and I awaited my turn like the rest of us. And they came, preceeded by the Senior Naga Baba's sitting tall astride horses and holding aloft their Tridents. Marching, jumping, stomping, running, full of energy and vitality they filled the streets with their joy and their war cries of "Har har Mahadev".  It was electric.I had never felt more alive, or or more charged or more safe, Separated by thin barricades of bamboo we photograhers ran alongside the gorgeous fierce and the childlike Naga babas. I who could not bring myself to take one picture of people changing after their holy dip, thought nothing of running along the Naga Babas stark in their nakedness, taking pictures of them as much as light would permit, such was their comfort in their skin & the quality of the moment. All I could think of was, omg, omg, look at them, I hope I get pictures, pictures that do this moment justice and pictures that do their vitality jusice. And it was challenging.
 I have never photographed under such conditions, the light was low. And there was crazy super fast action everywhere, my subject and me both were constantly running. At many points I felt my only attempt was to get one single frame without a fellow photographer or a policeman in it. The place was a boon and a bane for a photographer, because there was action just about 360 degrees around you but capturing it without a shake and then trying to get a halfway decent shot was your challenge. I was shooting and working at a pace completely alien to me. For someone who normally takes pictures of only table-tops and immobile objects and almost never of people, it was like being thrown into the deep end of the ocean without knowing any swimming.
 
I am brought up a Hindu and all my life I had seen the domesticated side of Hinduism and then to see this wild child, unclothed, free and exuberant Naga baba version of Hinduism was suddenly such a startling cut to what I thought I always knew. Yes, I had heard of Shiva and his bhuta gana's but it was all in the mythological zone. But to see the Naga Babas in flesh and to feel their spirit gave a very real dimension to the whole thing. I found the NagaBaba's extremely child like in their energies. Innocent and clean. They didn't care about clothes and when we saw them we too ceased to care whether they wore them or no. So whole and complete and beyond clothes was their bearing and attitude. 
It was rumoured that a few photographers had their camera's snatched and twirled and broken by the NagaBabas. 
Putting up their pictures whole and uncropped is what will do them justice, but some of my close friends and family warned me about my blog suddenly getting classified as 'adult' and I saw some of my family getting a little taken aback at the pictures, so I am going to err on the side of caution in this post & put up pictures that will hopefully not offend too many of you. But please do be honest and let me know, if you are hungry for more (because there is a lot more). Or if you think you have seen enough. I really do want to hear from you guys on this one.There are certainly more posts from the MahaKumbh and atleast one more on Naga Baba's coming up.

Wednesday, February 27, 2013

MahaKumbh - Part1

The Mahakumbh a once-in-a144 year occurance is when Hinduism keeps its date with immortality. (The famous Kumbh Mela comes once in 12 years and the ardh Kumbh once in 6) When devotees from across India and the world come to take a dip and wash their sins in the holy 'Sangam' where the powerful brown Ganga, the black dwindling Yamuna and the mythical Saraswathi rivers converge to form a such a heady forgiving mixture of a river, that millions of India and her modern day saints believe that just a dip can absolve you of your wrong doings. So when Sanjay Nanda sent an online invite to the Indian Photo Tours  trip, I just signed up. No thinking, no discussion, I was going. I knew this trip was going to be different from my other travels. That along with me were two very special and talented people Deeptha Umapathy and Chandan Dubey promised to only make it better.
I was mentally prepared for the crowds and coming from the teeming speed obsessed Bombay, I was ready for a sea of people everywhere I looked, what took me by surprise was the calmness in the crowds. The energy was very different. This was a very peaceful space. The air was rent equally with bhajans and chants of all sorts, and with the tragi-comical and continual announcements of lost people, lost wallets, pan cards, mobiles and every once in a while punctuated by the thundering chugging from the train passing an overhead bridge. And everywhere we looked we saw people carrying their bags walking, walking, walking into the motor free Kumbh city.
Sharing with you a few of my favourite images of the Kumbh Day 1.
 The place is a kaleidoscope of happenings, from processions filled with frenzied dancing, to domesticated street-side cooking by families who live on the streets of the Kumbh, to people drying their clothes, to flower sellers. Its all happening right there simultaneously.
 The Sadhu sightings begin.
In the Iskcon Camp, at the entrance they had these beautiful tableau's of gods and goddessed and I saw this man silently sitting and reading his prayers. He almost looked like he was one among the dolls and posters. 
 Walking to the ghats we saw many people and some really stunning women. Completely rural, completely confident.
And we were at the ghats where people were bathing in the river, photography was prohibited in these areas and the area was densely and seriously patrolled by police who would blow whistles straight into our ears if they suspected we were shooting people or women changing.

The evening was beautiful and the sight of the bathers and devotees dipping in the Ganges and offering obeisance in the river will make for one of the most beautiful memories in my life time. I just wish I went there again, less as a photographer and more as someone who is just there and living in the moment. This was one of the many times at the kumbh when I just wanted to be there and soak in the moment rather than angle for that good shot.

And as we were walking back from the camp we saw this Sadhu sitting with eyes closed and  completely oblivious to all the activity around him. There seemed to be an aura of quiet all around him and his companion was a man who quietly observed all of us taking pictures of his guru with fierce yet silent eyes.
This was day one and I do have a LOT many more pictures which i will probably upload on FB. It was such a beautiful place and what is it about retrospect that casts a golden glow on everything. The next day was the BIG DAY. Basant Panchami and the day of the shahi snan. The day that the famed Naga Baba's would come out in droves for the Royal dip. They wait for years and years for this big day and photographers come from across the world to capture their magic. Time is playing its own numbers and I will have to wait till Monday till I post about them. See you guys soon.
I definitely want to put in a word for the organisers of this trip, the Indian Photo Tours people. What was so nice about the way Dheeraj Paul and Sanjiv Bhadula organised the trip and the photography class was their mixture of a hands off but always available approach. It is a delicate balance to strike.And they did it brilliantly.

Saturday, February 23, 2013

The Valentine SJC Necklace winner!

 Hello, Hello!!! I'm back finally and here is announcing the SJC gorgeous Valentine give-away winner. And KOMAL KOHOK it is.
Congratulations Komal! and Shweta has made a request. It would be great if you could send us a picture of you wearing your necklace once you get it. So do send us your address, so Shweta can ship your beautiful necklace to you :)
I've been on a crazy schedule. Back from the MahaKumbh straight into the "A Not So Causal Kitchen" Exhibition. (You can see some pictures on my FB album) Today is the last day and I will FINALLY be able to go through my MahaKumbh pictures, shortlist them and make my post on it. In retrospect, I feel its just better that I got this time between the actual experience and writing about it. Because it was very powerful to be there and these days are giving me a perspective about it. So soon, soon The MahaKumbh post is coming up, stay tuned people.

Thursday, February 7, 2013

Limited Edition Valentine Photo frames.

This has kept me happy and excited for the past couple of days. Please meet the Artnlight Limited Edition Valentines Photo frames that you can buy. Limited edition because there is only one of each piece right now & I don't think I will replicate them anytime now. So you get to own a piece no one else will. Or you get to gift that one-of-a-kind piece you've been looking for. 
 Please pardon the pictures inside each frame, this is what happens when you rip off pages from a magazine and try to make them pretend that they are photographs.
This frame has to be the MOST Valentiny thing I have ever seen :) With hearts that go all around :) 
 A close up so you get to see the textures well. 

But what I had the most fun with was styling these pictures and shooting them at home. I've not done anything like this before, and after shooting them I was just unreasonably happy.
Now for the mechanics of buying. All those interested can write to me on vineeta(dot)artnlight(at)gmail(dot)com. The sale will officially start tomorrow morning 11.am and close on 11th Feb, Monday. 8 pm. India time. 
Looking forward to hearing from you on this as this is a new product. I truly hope you like it.

My wall project in Dhanesh & Mrinal Bhatia's children's room

When my good friend and wedding photographer Payal Kumar introduced me to the beautiful Mrinal Bhatia, I had no idea that working with her is going to be such a pleasure. Sharing a small project I did for the Dhanesh & Mrinal's beautifully designed spacious home. The deadline was tight and yet I have never worked so seamlessly or easily with someone. Everything became very simple for me because Mrinal was extremely clear about what she wanted and also about the fact that she trusted me implicitly. All I had to do was a wall in the children's room. Mrinal wanted a lot of colour to set off the otherwise very sane lines of her kids room. She told me "This wall is where all the fun will happen. I don't really want cartoons or jungles. Just pops of colour."

 The architect of the stunning home on which a post is coming up is Gajesh Badeswal of GMB Squadra